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	<title>Comments for fugitive imagination</title>
	<link>http://www.paulaitken.com</link>
	<description>the website of paul aitken, guitarist - improviser - academic</description>
	<pubDate>Sat, 17 May 2008 01:59:47 +0000</pubDate>
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		<title>Comment on BandAid by Kishore Budha</title>
		<link>http://www.paulaitken.com/2008/03/30/bandaid/#comment-50</link>
		<dc:creator>Kishore Budha</dc:creator>
		<pubDate>Wed, 02 Apr 2008 11:36:52 +0000</pubDate>
		<guid>http://www.paulaitken.com/2008/03/30/bandaid/#comment-50</guid>
		<description>One would think that we would have become cynical after all the band aids, live aids, and other symbolic gestures failed to bring about a Real change. Can't recollect off hand but a study of people's attitudes towards oil during the 70s crisis revealed some interesting facts about our attitudes towards such things. While respondents agreed on all the scientific reasons for the problem (gasoline guzzler cars, dependence on oil, rampant industrialisation and commodification), the moment they were asked would they agree to changes in lifestyle (sharing cars, extra taxes for public transport) the response was a NO.

I am sure this particular act (dimming of lights) would raise the salience (as in the research) but would it actually change attitudes? hmmmm</description>
		<content:encoded><![CDATA[<p>One would think that we would have become cynical after all the band aids, live aids, and other symbolic gestures failed to bring about a Real change. Can&#8217;t recollect off hand but a study of people&#8217;s attitudes towards oil during the 70s crisis revealed some interesting facts about our attitudes towards such things. While respondents agreed on all the scientific reasons for the problem (gasoline guzzler cars, dependence on oil, rampant industrialisation and commodification), the moment they were asked would they agree to changes in lifestyle (sharing cars, extra taxes for public transport) the response was a NO.</p>
<p>I am sure this particular act (dimming of lights) would raise the salience (as in the research) but would it actually change attitudes? hmmmm</p>
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		<title>Comment on Žižek: The Lecture! by Kishore Budha</title>
		<link>http://www.paulaitken.com/2008/03/23/zizek-lecture/#comment-49</link>
		<dc:creator>Kishore Budha</dc:creator>
		<pubDate>Sun, 23 Mar 2008 20:55:32 +0000</pubDate>
		<guid>http://www.paulaitken.com/2008/03/23/zizek-lecture/#comment-49</guid>
		<description>Yes. It was worth something. But like the Zapatistas, I think we would do well to withdraw into the jungles and plot our next move.</description>
		<content:encoded><![CDATA[<p>Yes. It was worth something. But like the Zapatistas, I think we would do well to withdraw into the jungles and plot our next move.</p>
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		<title>Comment on Cool Essay - &#8220;Myspace and Legendary Psychasthenia&#8221; by Kishore Budha</title>
		<link>http://www.paulaitken.com/2008/03/09/cool-essay-myspace-and-legendary-psychasthenia/#comment-48</link>
		<dc:creator>Kishore Budha</dc:creator>
		<pubDate>Sun, 23 Mar 2008 20:53:36 +0000</pubDate>
		<guid>http://www.paulaitken.com/2008/03/09/cool-essay-myspace-and-legendary-psychasthenia/#comment-48</guid>
		<description>Paul: I would suggest the big other should not be read merely as the all-surveying, all-knowing authorities, but rather that the social is brought into fruition by the corporation. So despite claims of agency, interactivity in Web 2.0 people like David Gauntlett (and perhaps even Will Merrin, I don't know) escape the fact that "to participate" is the superego. As has been demonstrated time and again (Google, Yahoo, BBC in China/Orkut in India), the corporation has collaborated with the other Big Other, the state to control what is defined as participation. In the scheme of this analysis, whether a template or individually designed web pages appear to be clutching at the straws of individual agency. The issue of structure vs agency lies elsewhere.</description>
		<content:encoded><![CDATA[<p>Paul: I would suggest the big other should not be read merely as the all-surveying, all-knowing authorities, but rather that the social is brought into fruition by the corporation. So despite claims of agency, interactivity in Web 2.0 people like David Gauntlett (and perhaps even Will Merrin, I don&#8217;t know) escape the fact that &#8220;to participate&#8221; is the superego. As has been demonstrated time and again (Google, Yahoo, BBC in China/Orkut in India), the corporation has collaborated with the other Big Other, the state to control what is defined as participation. In the scheme of this analysis, whether a template or individually designed web pages appear to be clutching at the straws of individual agency. The issue of structure vs agency lies elsewhere.</p>
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		<title>Comment on Cool Essay - &#8220;Myspace and Legendary Psychasthenia&#8221; by Paul Aitken</title>
		<link>http://www.paulaitken.com/2008/03/09/cool-essay-myspace-and-legendary-psychasthenia/#comment-47</link>
		<dc:creator>Paul Aitken</dc:creator>
		<pubDate>Sun, 23 Mar 2008 14:27:55 +0000</pubDate>
		<guid>http://www.paulaitken.com/2008/03/09/cool-essay-myspace-and-legendary-psychasthenia/#comment-47</guid>
		<description>@Kishore - I certainly agree that even using Frontpage or Dreamweaver is yet another level of the "template" in action.  What I found interesting was Merrin's conflation of the hardcoded HTML page with a greater level of individuality.  In that analysis, the old-school personal homepage seemingly occupies the position of synthesis in the dialectic of older presentations of the self through print media, and newer presentations through the web.  The individual's labour in coding a page becomes seen as somehow more authentic than the less labour-intensive act of creating a Facebook, Myspace, etc. profile. Of course, this proposition touches on the elitism of actually knowing the coding language and suggests then that the authenticity of one's web-self is linked to the ability to understand and deploy the technical possibilities of code.  Recourse to discourses of technical mastery in this case does indicate that despite the so-called liberatory aspects of online participation, we are still led to deal with perennial issues of power and control.

Which speaks to your point about the "big Other" corporations.  Indeed there has been great debate over the involvement of Facebook in surveillance and data mining, most of which raise flags over the sheer amount of personal information users voluntarily put on their profiles and how this can be used for target advertising and the like.  It seems to me that there are two related issues here, and that the notion of depersonalisation inheres in both.  One is that there is a distinct financial benefit in attracting a great number of users to a social networking site and requiring them to "flatten" our themselves in order to fit with the aesthetics of the site - the limited options make the processes of data gathering for advertising purposes much simpler.  Secondly, perhaps the similarity of profiles can lead to an overall user mentality of "We're all the same here" which greatly assists the advertisers on the site who rely on the sense of belonging that the site espouses to suggest that if one of your "friends" is buying a product, then you might like it too.</description>
		<content:encoded><![CDATA[<p>@Kishore - I certainly agree that even using Frontpage or Dreamweaver is yet another level of the &#8220;template&#8221; in action.  What I found interesting was Merrin&#8217;s conflation of the hardcoded HTML page with a greater level of individuality.  In that analysis, the old-school personal homepage seemingly occupies the position of synthesis in the dialectic of older presentations of the self through print media, and newer presentations through the web.  The individual&#8217;s labour in coding a page becomes seen as somehow more authentic than the less labour-intensive act of creating a Facebook, Myspace, etc. profile. Of course, this proposition touches on the elitism of actually knowing the coding language and suggests then that the authenticity of one&#8217;s web-self is linked to the ability to understand and deploy the technical possibilities of code.  Recourse to discourses of technical mastery in this case does indicate that despite the so-called liberatory aspects of online participation, we are still led to deal with perennial issues of power and control.</p>
<p>Which speaks to your point about the &#8220;big Other&#8221; corporations.  Indeed there has been great debate over the involvement of Facebook in surveillance and data mining, most of which raise flags over the sheer amount of personal information users voluntarily put on their profiles and how this can be used for target advertising and the like.  It seems to me that there are two related issues here, and that the notion of depersonalisation inheres in both.  One is that there is a distinct financial benefit in attracting a great number of users to a social networking site and requiring them to &#8220;flatten&#8221; our themselves in order to fit with the aesthetics of the site - the limited options make the processes of data gathering for advertising purposes much simpler.  Secondly, perhaps the similarity of profiles can lead to an overall user mentality of &#8220;We&#8217;re all the same here&#8221; which greatly assists the advertisers on the site who rely on the sense of belonging that the site espouses to suggest that if one of your &#8220;friends&#8221; is buying a product, then you might like it too.</p>
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		<title>Comment on Cool Essay - &#8220;Myspace and Legendary Psychasthenia&#8221; by Kishore Budha</title>
		<link>http://www.paulaitken.com/2008/03/09/cool-essay-myspace-and-legendary-psychasthenia/#comment-46</link>
		<dc:creator>Kishore Budha</dc:creator>
		<pubDate>Sun, 23 Mar 2008 11:59:45 +0000</pubDate>
		<guid>http://www.paulaitken.com/2008/03/09/cool-essay-myspace-and-legendary-psychasthenia/#comment-46</guid>
		<description>While I agree with the spirit of what you are trying to get here -- how in the name of community (interaction), ease and functionality (stripping the very technical nature of any internation on the web) -- sites such as facebook force on its users an aesthetic. But to say that a set of HTMLs cobbled using a WYSIWYG editor/coding is inherently to be valorised over a templated web site is not persuasive. Don't we see this template effect in every mass produced or mediated product or service?

Facebook has that template because it makes it easier (though I don't subscribe to it personally) for one to navigate through friends' information pages. The moment friends' begin to customise using free facebook applications navigating through their profiles turns into a nightmarish experience. So we see how even controlled customisation is a bit of a communication problem. This of course would be a challenge for the capitalists at facebook who would want a fair degree of user-customisation vs a standard look and feel.

So the issue, in my view is not customised pages vs templates but rather how those come about, the role of the big other (in this case the large corporations that create the products and services). Nobody went to facebook/orkut and asked for the service.</description>
		<content:encoded><![CDATA[<p>While I agree with the spirit of what you are trying to get here &#8212; how in the name of community (interaction), ease and functionality (stripping the very technical nature of any internation on the web) &#8212; sites such as facebook force on its users an aesthetic. But to say that a set of HTMLs cobbled using a WYSIWYG editor/coding is inherently to be valorised over a templated web site is not persuasive. Don&#8217;t we see this template effect in every mass produced or mediated product or service?</p>
<p>Facebook has that template because it makes it easier (though I don&#8217;t subscribe to it personally) for one to navigate through friends&#8217; information pages. The moment friends&#8217; begin to customise using free facebook applications navigating through their profiles turns into a nightmarish experience. So we see how even controlled customisation is a bit of a communication problem. This of course would be a challenge for the capitalists at facebook who would want a fair degree of user-customisation vs a standard look and feel.</p>
<p>So the issue, in my view is not customised pages vs templates but rather how those come about, the role of the big other (in this case the large corporations that create the products and services). Nobody went to facebook/orkut and asked for the service.</p>
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		<title>Comment on Reba by Paul</title>
		<link>http://www.paulaitken.com/2007/05/15/reba/#comment-43</link>
		<dc:creator>Paul</dc:creator>
		<pubDate>Mon, 18 Feb 2008 11:25:56 +0000</pubDate>
		<guid>http://www.paulaitken.com/2007/05/15/reba/#comment-43</guid>
		<description>Thanks for the tip HKgo!</description>
		<content:encoded><![CDATA[<p>Thanks for the tip HKgo!</p>
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		<title>Comment on Reba by HKgo</title>
		<link>http://www.paulaitken.com/2007/05/15/reba/#comment-44</link>
		<dc:creator>HKgo</dc:creator>
		<pubDate>Tue, 12 Feb 2008 22:27:49 +0000</pubDate>
		<guid>http://www.paulaitken.com/2007/05/15/reba/#comment-44</guid>
		<description>Dude MGS 95's reba is way overrated. Try 1998 Starplex in TX, That's my fav one</description>
		<content:encoded><![CDATA[<p>Dude MGS 95&#8217;s reba is way overrated. Try 1998 Starplex in TX, That&#8217;s my fav one</p>
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		<title>Comment on Master of Puppets is Pulling Your Strings by Claire</title>
		<link>http://www.paulaitken.com/2007/10/06/master-of-puppets-is-pulling-your-strings/#comment-45</link>
		<dc:creator>Claire</dc:creator>
		<pubDate>Thu, 11 Oct 2007 16:29:07 +0000</pubDate>
		<guid>http://www.paulaitken.com/2007/10/06/master-of-puppets-is-pulling-your-strings/#comment-45</guid>
		<description>Awww, so sweet.  You are most welcome, you master, you.  I have three more years till you outstrip me in degree titles (though I still think that Mistress beats Master any day), so I fully intend to enjoy it.  Bwaaahaha - send those papers my way, and we'll see if I can understand them!</description>
		<content:encoded><![CDATA[<p>Awww, so sweet.  You are most welcome, you master, you.  I have three more years till you outstrip me in degree titles (though I still think that Mistress beats Master any day), so I fully intend to enjoy it.  Bwaaahaha - send those papers my way, and we&#8217;ll see if I can understand them!</p>
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		<title>Comment on Reba by anandamide</title>
		<link>http://www.paulaitken.com/2007/05/15/reba/#comment-42</link>
		<dc:creator>anandamide</dc:creator>
		<pubDate>Fri, 01 Jun 2007 14:45:13 +0000</pubDate>
		<guid>http://www.paulaitken.com/2007/05/15/reba/#comment-42</guid>
		<description>...as someone who was a huge rush fan as a kid (is this a rite of passage for adolescent canadian males?), took a long hiatus and now returns for enjoyment and nostalgia later in life, i'd be interested in your re-consideration of their work.  what holds up, what sounds especially good to you now etc.?</description>
		<content:encoded><![CDATA[<p>&#8230;as someone who was a huge rush fan as a kid (is this a rite of passage for adolescent canadian males?), took a long hiatus and now returns for enjoyment and nostalgia later in life, i&#8217;d be interested in your re-consideration of their work.  what holds up, what sounds especially good to you now etc.?</p>
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		<title>Comment on Oooh yeah, Prince rules! by basil chiasson</title>
		<link>http://www.paulaitken.com/2007/02/05/oooh-yeah-prince-rules/#comment-16</link>
		<dc:creator>basil chiasson</dc:creator>
		<pubDate>Sun, 25 Feb 2007 02:03:40 +0000</pubDate>
		<guid>http://www.paulaitken.com/2007/02/05/oooh-yeah-prince-rules/#comment-16</guid>
		<description>'Prince and American Football'

At the risk of revealing my intense obsession with Prince, i have been considering the previous poster's remark re 'the half time phallus controversy' in conjunction with past superbowl performances--such as the infamous Jackson/Timberlake collaboration. I think we ought to ask the following: are the Jackson tit and the Prince phallus all bought and sold... and, moreover, is the resultant social and moral turbulence accomodated within the half-time budget? You know i used to play football and this just comes up more and more disapointing.</description>
		<content:encoded><![CDATA[<p>&#8216;Prince and American Football&#8217;</p>
<p>At the risk of revealing my intense obsession with Prince, i have been considering the previous poster&#8217;s remark re &#8216;the half time phallus controversy&#8217; in conjunction with past superbowl performances&#8211;such as the infamous Jackson/Timberlake collaboration. I think we ought to ask the following: are the Jackson tit and the Prince phallus all bought and sold&#8230; and, moreover, is the resultant social and moral turbulence accomodated within the half-time budget? You know i used to play football and this just comes up more and more disapointing.</p>
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